FH Noetica is a geometric sans-serif typeface shaped by optical sensitivity and modernist reasoning. Its design finds early resonance in A.M. Cassandre’s Peignot and Hermann Zapf’s Optima, both known for rejecting strict genre boundaries in favor of expressive structure. Rather than following conventional classifications, FH Noetica focuses on spatial clarity, tonal contrast, and architectural rhythm. The letterforms blend subtle modulation with geometric restraint, producing a tone that is neutral yet intentional. Designed with both text and display settings in mind, the typeface is especially suited to systems that require clarity without rigidity. Interfaces, editorial layouts, and photographic labeling among them. FH Noetica is not just built to be read, but to be seen with precision.
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